Girl does the crab walk completley naked

One July afternoon when I was fifteen I went for a walk with Vadonna, the girl who lived next door, and her younger brothers and sisters; we were all going to go skinnydipping in a creek on a nearby farm. When we got to the creek everyone was afraid to get naked, except Vadonna. She stripped and waded into the water while the others laughed and shouted and pointed at her from the bank. As we were going back across the field Vadonna and I fell behind the others, and then we lay down to hide in the tall broomsedge. The sky was a deep rich blue, the color of stained glass, and the sun rode high in the swollen clouds like a big gold pocketwatch. We undressed each other, began kissing, fumbling.
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Lara Salmon – un-pub-lished

How in the hell did I end up in this position? I know, it was the sake. Its gotta be. She looked up again.
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Tag: Lara Salmon

What should be narratable as a single event that took place at an allotted time in a specific location feels much more like a dream: the hazy pinkish air lighting the barren, low-slung industrial street; the patch of stubbly parking lot backgrounded by a high chain-link fence, all turned gray scale and shadowy in the smoggy chemical moonlight; the mute audience, our collective mood as ominous as a cloud; and the artist herself—as distinct and out-of-place as the towering tripod across from her, a flash affixed to its head, the green standby light cycling on and off—a visual metronome reminding us that time had not, in fact, stood still. The flowerless version is something like this: you show up somewhat late at night pm on an off night a Tuesday. There is a surprising amount of equipment dedicated to capturing this special moment—flashes, light meters, a photographer in a black hoodie with a second tripod—if this is Los Angeles, which it is—then Lara has created a set. We are all waiting around in the street, forming a sort of crescent—no one is getting too close; we know the performance is imminent, and we know to expect something scary, or wild, or at least painful, and hopefully naked.
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Teacher Pauline Yuill was used to being quick on her feet - she was a keen ballroom dancer and even ran the London Marathon at Yet as she hit her mid-Fifties, her fast stride developed into a lop-sided, slow-paced walk. Her GP put it down to getting older, but over the following months Pauline's walking slowed even further; she also noticed she wasn't swinging her arms as she walked, even when she consciously tried. In , when a passer-by shouted: 'Why are you walking like a drunk?
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