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What is less recognised is the extent to which J. This article focuses on the dynamics of the relationship between Carmilla and Mulholland Drive, particularly the formation of femme fatale Camilla Rhodes played by Laura Elena Harring , with the aim of establishing how the Gothic shapes the viewing experience of the film. I argue that not only are there striking narrative similarities between the texts, but lying at the heart of both Carmilla and Mulholland Drive is the uncanny. As such Mulholland Drive emerges not only as a compelling work of art, but also a deeply evocative cinematic experience. I then present a synopsis of Mulholland Drive before exploring the rich interrelationship the film has with Carmilla.
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Vampires and Violets: Lesbians in Film

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Vampires and Violets: Lesbians in Film by Andrea Weiss

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Lesbian vampire

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Lesbian vampirism is a trope in 20th-century exploitation film and literature that has its roots in Joseph Sheridan le Fanu 's novella Carmilla about the love of a female vampire the title character for a young woman the narrator :. Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure, renewed again and again; blushing softly, gazing in my face with languid and burning eyes, and breathing so fast that her dress rose and fell with the tumultuous respiration. It was like the ardour of a lover; it embarrassed me; it was hateful and yet overpowering; and with gloating eyes she drew me to her, and her hot lips travelled along my cheek in kisses; and she would whisper, almost in sobs, 'You are mine, you shall be mine, and you and I are one for ever'. Carmilla , Chapter 4. This was a way to hint at or titillate with the taboo idea of lesbianism in a fantasy context outside the heavily censored realm of social realism.
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